Natasha Mumba, a Zambian-Canadian actor, has made her mark in the theatrical world with the debut of her play “Copperbelt.” The play opened at the National Arts Centre on January 15. It weaves together intense themes of geopolitics and family drama, perhaps not dissimilarly to the hit television show “Succession.” It’s currently scheduled to run through January 24, before transferring to Toronto’s Soulpepper Theatre in February.
“Copperbelt” has an incredible cast, led by up-and-coming actors Kondwani Elliott Zulu and Rick Roberts. The story skillfully interlaces individual and collective tensions, capturing the beauty and difficulty of existence on Zambia’s Copperbelt province. Mumba’s work invites audiences to reflect on broader geopolitical issues while remaining engaged in the human experiences at its core.
The National Arts Centre threw an energetic post-performance reception to celebrate the premiere. From the theater, attendees were able to hear directly from cast and crew members in an electrifying setting. Stuart Benson documented this event, and his beautiful shot of Renfrew County’s Mackenzie Scott made the front cover of The Hill Times.
Chiluba Katongo Nsofu served as Bemba translator and dialect coach for the production. In this sense, the playwright’s longtime commitment to the preservation of the Puritan roots of the play shined through. This level of care is a reflection of Mumba’s intention to authentically portray what her cultural background represents.
“Copperbelt” has been turning heads. Authors are frequently lauded by readers for deftly exploring heavy, often dark themes as they dance with the lighthearted and whimsical story. This intersection of familial dynamics and geopolitical tensions is striking, connecting audiences to the current state of global affairs today.
