Jodie Comer, the acclaimed British actress known for her dynamic performances, continues to captivate audiences as she takes on new roles in film and television. Jodie Comer, through her mesmerizing performance as the assassin Villanelle on the BBC America series *Killing Eve*, has become one of the hottest stars in the world. She was given top honors for her performance, including an Emmy Award for Outstanding Lead Actress in a Drama Series in 2019 and two BAFTA TV awards.
At only 32 years old, Comer has accomplished an impressive resume. But she was given wider exposure when cast in Danny Boyle’s zombie epic, 28 Years Later. This movie acts as a prequel to the 2002 classic, 28 Days Later. 2021 saw Jodie starring opposite Matt Damon and Ben Affleck in Ridley Scott’s drama The Last Duel. This role just continued and established her renowned career in the film world.
Comer’s recent work includes her role in Jeff Nichols’ drama The Bikeriders, which is set against the backdrop of a 1960s Midwestern motorcycle gang. Her indelible mark on the stage has been felt both on and off stage. Her remarkable performance in the one-woman show “Prima Facie” won her an Olivier Award and a Tony Award for Best Actress.
In her latest project, The Last Disturbance of Madeline Hynde, directed by Kenneth Branagh, Comer portrays a character facing significant emotional turmoil. Branagh has gushed about his star Comer in the past, calling her the new young Meryl Streep.
“As somebody once said of the young Streep, ‘I wish I had shares in her future,’” – Kenneth Branagh
Branagh emphasized the importance of Comer’s talent at this stage in her career, stating, “I consider myself fortunate to have worked with her at this stage in her career.”
It’s in this narrative fabric that Comer truly shines. She was responsible for the portrayal of character Loretta Durkin during seasons 3 and 4 of Only Murders in the Building. In a shocking turn of events on the season 4 finale, her character wed Oliver Putnam, played by co-star Martin Short.
Comer describes her character in The Last Disturbance of Madeline Hynde as experiencing a “dark night of the soul… reckless emotional exposure, volatility,” which showcases her range as an actress.
Reflecting on the current trend in the industry, Comer noted, “There does seem to be a real fashion to see how much you can torture yourself.” Sound and fury This peek into her craft underscores the raw power she pours into every character.
