The film "The Thing With Feathers" has captivated audiences with its poignant storytelling, drawing inspiration from unexpected sources. Premiering at the 2025 Sundance Film Festival on Saturday night, the film is adapted from Max Porter's novella and features Benedict Cumberbatch in the lead role. However, it is not just the book that shaped the film's narrative and visual language. Director Dylan Southern revealed the influence of The Who's 1979 album, "The Kids Are Alright," particularly its iconic cover, on a key scene of the movie.
Southern found visual inspiration in the album cover for crafting a striking tableau within the film. During a post-screening Q&A, he explained his artistic choice, noting the album's role in influencing a memorable moment where Cumberbatch's character, Crow, is seated on a sofa with his two sons, all wrapped in his protective embrace. This scene, laden with emotional depth, mirrors the imagery of The Who wrapped in the Union Jack on their album cover.
"There's a really cool picture of the Who on the cover of The Kids Are Alright where they're wrapped in the Union Jack," – Dylan Southern
Set against the backdrop of grief and resilience, "The Thing With Feathers" delves into the life of Dad, played by Benedict Cumberbatch, a young widower grappling with the challenges of raising his sons following his wife's untimely death. The film's title hints at themes of complexity and multifaceted emotions akin to a bird's feathers, resonating deeply with audiences.
Benedict Cumberbatch discussed his connection to the source material and how it shaped his portrayal of Crow. He spoke about the profound effect the novella had on him, providing insights into his character's emotional journey.
"The book had a profound effect on me when I read it," – Benedict Cumberbatch
Cumberbatch faced unique challenges in embodying Crow, especially in balancing the character's detachment with a yearning to connect with his sons. He reflected on his experience working with the young actors, emphasizing the importance of capturing genuine moments of playfulness and emotional distance.
"I just captured little moments — to remember to play, to be open with the kids, and also how to distance myself," – Benedict Cumberbatch
Director Dylan Southern's creative vision was pivotal in bringing this story to life. His approach involved blending traditional cinematic elements with innovative techniques to externalize intimacy within a contemporary setting. Southern described this fusion as an intriguing aspect of the film's creation process.
Southern highlighted how his initial pitch for the film and the ensuing friendship with the cast and crew were instrumental in shaping its production. This collaborative spirit is evident in the film's ability to convey complex emotions through its visual storytelling.
Maureen Lee Lenker, a senior writer at Entertainment Weekly, has covered various facets of the entertainment industry for over seven years. Her expertise provides valuable context for understanding the film's impact. Lenker's extensive experience includes contributions to Turner Classic Movies, Ms. Magazine, and The Hollywood Reporter.
